Granville Carroll

Because the Sun Hath Looked Upon Me

Upward, 2019 (20″x20″, archival inkjet print)

Because the Sun Hath Looked Upon Me is a photographic project positioned at the intersection of cosmology, philosophy, and spirituality. Combining multiple images using Photoshop I create imaginative landscapes and self-portraits. The landscapes are symbols of the promised land; the ground references the physical world, the sky becomes a canvas for projection and imagination, and the horizon acts as a symbol for the liminal space between the physical and ethereal. The portraits introduce a new way to envision my Black identity through the power of the cosmos. This body of work is rooted in the Afrofuturist movement, which redefines the Black identity through science fiction, mythology, and technology. I construct a space where Blackness is immanent and expands through space. The Yoruba cosmological concept of ase is said to be the power provided by the Eternal One that sustains the cosmos, similar to the idea of dark matter being the force that holds the universe together. At the core of this body of work is the expansion of selfhood and how we choose to define ourselves. Racial stereotypes and judgments hinder our understanding of who we are. I want to reduce the idea of separateness that is a result of racial labelling and categorization by placing Blackness in the field of the ever-expanding depths of the cosmos, allowing it to be boundless and infinite.

Am I? I Am., 2020 (19″x19″, steel, acrylic sheet, screenprint)
Our Deepest Fear, 2019 (24″x30″, archival inkjet print)
New Horizons, 2019 (24″x30″, archival inkjet print)
Ori, 2019 (30″x30″, archival inkjet print)
As Above, So Below, 2019 (24″x30″, archival inkjet print)
Selah, 2020 (20″x20″, archival inkjet print)
Because the Sun Hath Looked Upon Me, 2020 (22″x28″, archival inkjet print)
Interbeing, 2020 (22″x28″, archival inkjet print)
I am, 2020 (19″x19″, steel, acrylic sheet, screenprint)
Black Universe, 2020 (20″x20″, archival inkjet print)
Becoming, 2020 (22″x28″, archival inkjet print)
Out of Nothing, 2019 (22″x28″, laser-cut paper, LED)
Installation Mock Up
Installation Mock Up

Granville Carroll is a visual artist currently based in Rochester, NY working mainly in the photographic medium. He grew up on the West coast having spent time in California, Washington State, and Arizona. He attended Mesa Community College, and after graduating with his Associate in Art he went on to receive his BFA in Art Photography (Summa Cum Laude) from Arizona State University. He is currently a 2nd year MFA candidate in the Photography and Related Media program at Rochester Institute of Technology. Carroll’s work deals with topics of representation, identity, and is influenced by Afrofuturism and spirituality. His work strives to shift perspectives using the healing powers of art. Carroll examines the literal representation of those labeled as black and the metaphorical symbolism behind what black represents. In this newest work, Because the Sun Hath Looked Upon Me, he redefines blackness by paralleling it with African culture, myth, and cosmology.